跟进：菲尔德在萨凡纳电影节谈《You Can See Everything》的非常规拍法：奥斯卡纪录片分支成员热议是否接纳

据《好莱坞报道》独家报道，纪录片《You Can See Everything》联合导演内森·菲尔德（Nathan Fielder）本周在SCAD萨凡纳电影节的一场纪录片人座谈上，回应了该片非常规拍摄手法引发的讨论。这部由A24发行、以Theranos创始人伊丽莎白·霍姆斯为拍摄对象的纪录片，北美票房已接近5000万美元，创下数十年来纪录片最佳开画成绩之一。

座谈由《好莱坞报道》主持，多位美国电影艺术与科学学院纪录片分支成员参加。该分支历来对明星题材、大规模院线发行与高票房的纪录片较为冷淡，对情景再现等手法也持谨慎态度，《邻里美好的一天》《简》等热门纪录片往年曾无缘奥斯卡提名。

纪录片分支资深成员阿米尔·巴尔-列夫（Amir Bar-Lev）在座谈中力挺该片，援引维尔纳·赫尔佐格「狂喜真实」的概念，主张情景再现等艺术手法可以抵达更深层的真实，奥斯卡奖应优先看重电影技艺而非题材本身。凭《徒手攀岩》获奥斯卡最佳纪录片奖的金国威（Chai Vasarhelyi）也称赞该片的形式创新与受欢迎程度。

菲尔德表示，他与联合导演兰斯·奥本海姆（Lance Oppenheim）并非刻意追求非常规手法，采用情景再现等方法出于准确与诚实的要求；在他看来，承认摄影机的存在及其对拍摄对象的影响，本身就是如实讲述的一部分。

Follow-Up: Fielder Defends 'You Can See Everything' Methods at Savannah Panel as Academy Doc Branch Members Weigh In

Nathan Fielder, co-director of the Elizabeth Holmes documentary 'You Can See Everything,' addressed the film's unconventional techniques at a documentary filmmakers' panel at the SCAD Savannah Film Festival this week, The Hollywood Reporter reported exclusively. The A24 release has grossed nearly $50 million in North America, one of the strongest runs for a documentary in decades.

The panel, moderated by The Hollywood Reporter, came amid debate over how the Academy's documentary branch will treat the film. The branch has historically been cool toward celebrity subjects, wide theatrical releases and big box office, and wary of techniques such as reenactments; popular documentaries including 'Won't You Be My Neighbor?' and 'Jane' were previously passed over for nominations.

Branch member Amir Bar-Lev voiced strong support, invoking Werner Herzog's notion of "ecstatic truth" to argue that techniques such as reenactment can convey a deeper authenticity, and that the Oscar should reward craft over subject matter. Chai Vasarhelyi, who won the best documentary feature Oscar for 'Free Solo,' also praised the film's formal innovation and popularity.

Fielder said he and co-director Lance Oppenheim did not set out to be unconventional, but included methods such as reenactments out of a commitment to accuracy and honesty, and that acknowledging the camera's presence — and its effect on the people being filmed — was integral to truthful storytelling.

来源：GSM·美国（原文链接）

图片来源：图：《You Can See Everything》联合导演内森·菲尔德（资料图）。Northwest摄，CC BY-SA 4.0，经Wikimedia Commons。 / 'You Can See Everything' co-director Nathan Fielder (file photo). Photo by Northwest, CC BY-SA 4.0, via Wikimedia Commons.

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