A24纪录片《You Can See Everything》次周末再收1950万美元，第二周五创纪录片单日纪录
A24 的纪录片《You Can See Everything》正在改写纪录片的票房常识。据多家票房追踪报道，这部影片次周末在北美再收约 1950 万美元，相比首周末不降反升；其中第二个周五单日约 610 万美元，较前一个周五增长约 174.6%，创下纪录片单日票房的新纪录。影片从首周末的约 855 家影院迅速扩大到约 2655 家影院，仍保持了强劲的上座率。
这部由内森·菲尔德与兰斯·奥本海姆执导的影片，主角是 Theranos 创始人伊丽莎白·霍姆斯，拍摄的是她在入狱服刑前的一段生活。摄制组与她共同生活数周、拍摄跨度长达三年，这种近乎贴身的拍摄方式本身就引发了关于知情同意、摆拍与被摄者主体性的伦理讨论。但正是这种争议与口碑，让影片突破了纪录片通常的观众圈层。首周末影片在仅 855 家影院就拿到约 1500 万美元，单馆平均约 17544 美元，高于同期大规模上映的《街头霸王》。
票房口径需要说明一点：据 Box Office Mojo 口径的报道，影片上映八天累计约 3180 万美元；另有报道给出的次周末后累计数字更高，各家统计的截止时间与影院范围不同，引用时应注明口径。影片制作成本据报道低于 1000 万美元，以目前的走势看，盈利空间已经打开，颁奖季的讨论也在升温。对纪录片行业来说，这次的意义不在于一部影片的成败，而在于证明：在流媒体时代，一部题材尖锐、制作贴身的纪录片，仍然可以靠口碑在影院里走出长线，而不是只做小规模点映。
A24 Documentary 'You Can See Everything' Adds Another $19.5 Million in Second Weekend, Sets Single-Day Documentary Record on Second Friday
A24's documentary You Can See Everything is rewriting the box-office rules for documentaries. According to multiple box-office trackers, the film grossed roughly another $19.5 million in North America in its second weekend, rising rather than falling compared with its opening weekend; its second Friday alone took in about $6.1 million, up roughly 174.6% from the previous Friday, a new single-day record for a documentary. The film expanded rapidly from about 855 theaters on opening weekend to about 2,655 theaters while maintaining strong attendance.
Directed by Nathan Fielder and Lance Oppenheim, the film follows Theranos founder Elizabeth Holmes through a period of her life before she entered prison to serve her sentence. The crew lived alongside her for weeks, filming over a span of three years, and that near-immersive approach itself sparked ethical debate about informed consent, staging and the subject's agency. But it was precisely that controversy and word of mouth that let the film break beyond the usual documentary audience. On opening weekend it took about $15 million from just 855 theaters — a per-theater average of about $17,544, higher than the large-scale release Street Fighter in the same frame.
One note on the box-office figures: by Box Office Mojo's accounting, the film had cumulated about $31.8 million in eight days; other reports put the cumulative total after the second weekend higher, with different cut-off times and theater scopes, so citations should state the source. The production budget was reportedly under $10 million, and at the current pace the profit margin has already opened up while awards-season discussion heats up. For the documentary industry, the significance lies not in one film's success or failure, but in the proof that in the streaming era, a sharply focused, intimately made documentary can still build a long theatrical run on word of mouth rather than playing only in small limited releases.
来源：GSM·美国（原文链接）
图片来源：影院放映厅内景，Wikimedia Commons，CC BY-SA 4.0
